"In death, my love, I loved you best." --The Monster in the Hollows, by Andrew Peterson
Thus says the great hero with his last breath.
The death of a good character in a story is very difficult to me, in both reading and writing. Indeed, one death poorly executed or highly unwanted is enough to ruin an otherwise decent book. But when it is done right, when the author writes it with complete purpose and beauty, then--ah!--then it might elevate the novel to one of my very favorites.
"That's all well and good for a story," a realist might say. "But that's not how it works in the real world. When people are killed it's not often in a heroic manner, and they very less often have the chance to something really punchy, especially in the presence of their loved ones or worst enemy." They'd be right. That doesn't happen in this world very often.
I once read a book, a very interesting and well-written book, in which there was a young man, handsome and kind, with a bright future ahead of him, even if he didn't know what he wanted to do yet. He was just a side character, but hey, he was fun, and I could envision a great friendship between him and the hero. He was wounded when they went off on their perilous mission, and I was anxious for him--but I did not expect the heroes to round a corner and find him on the floor, shot to death. I was kind of stunned. Angry. It ruined the book. I was in a grey cloud the rest of the day. It wasn't fair, he didn't even have a chance, it was just cut off, no warning, no nothing! His life was ended. That was it. Well, I thought grudgingly. Kudos to the author for writing reality. Cause that sort of thing is more real.
Or is it?
Could it be that epic, fantastical deaths might display a better understanding of death than our limited mortal knowledge? Is death really just a cut-off of life? Or is it a door into Beyond? According to my belief in the Bible, it is either an entrance into eternal life or eternal death. Death was a result of sin, and for the sinner it means the final sundering from God and everything good. But with the sacrifice of Christ, for the believer in Him it means a doorway to something more beautiful and perfect than we can ever imagine. It is interesting to note that Tolkien wrote death as a gift to mankind, whereas the elves had both the curse and blessing to linger until the End. For the believer, it is the release from the "reality" of this fallen world.
Even so, death remains a hard, difficult thing to understand. Someone is losing someone. That loss should be felt in a story as well, and deeply. But when one is writing literature, I think it is best to make death meaningful--the bittersweet beauty of it for the hero and the sorrowful hopelessness or justifiable satisfaction at the villain's. Granted, there are those poor red shirts who just die without a thought (unless of course, you're like Anne Elisabeth Stengl and like to make the reader ache for some random bad guy because you remind us he was once a child and such). ;)
Writing death with meaning and conviction is first and foremost important to the reader. Remind them of the severity and sorrow, but also hope of that which is beyond. Please, don't ever just kill a character cause you don't know what to do with them (like Diana Barry) . That's not how the Author of the world works, so we shouldn't either.
Personally, when it comes to the death of a hero, I prefer it to be a courageous act of self-sacrifice, a moment that reveals their greatest nature in a final celebration of their life. It is fitting, because the most pivotal and important death in our history was the Ultimate Sacrifice. There's something that swells our heart about the hero finding peace at the end, knowing that it isn't the end for him. And what really scores high for me as a reader is when we have a slight glimpse or hint of them afterwards--as shown by C. S. Lewis, J. R. R. Tolkien, and Anne Elisabeth Stengl.
For me, the best heroic deaths in literature can be found in these books.
"Can you forgive me?" --Dragonwitch by Anne Elisabeth Stengl
"I love you." The Warden and the Wolf King by Andrew Peterson
"I go now to my long rest in the timeless halls beyond the seas and the
Mountains of Aman. It will be long ere I am seen among the Noldor again;
and it may be that we shall not meet a second time in death or life,
for the fates of our kindreds are apart. Farewell!" --The Silmarillion (Tolkien is notorious for final death speeches. They always have so much to say.)
"In death, my love, I loved you best." The Monster In the Hollows by Andrew Peterson.
And the all-famous--"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go than I have ever known." A Tale of Two Cities by Charles Dickens
You get a pat on the back if you know who says each of these! But don't say who actually says them--that would be spoiling. Except for the Simarillion one. If you know that, shout it out! And please share the books you think have the best heroic deaths in them...just don't say who dies, cause once again--spoilers! ;)
Monday, November 3, 2014
Saturday, November 1, 2014
Nominations Closed!
All right, beloved readers! Nominations for the 2014 Blogger Book Awards are closed!
Now the judges will consider the nominations received, and announce the top three of each category on November 15th. After that we will diligently study these three, and announce the winners in December! So stick around!
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Nominations for Best Hero:
Kaladin--Words of Radiance
Kyran--The Word Changers
Jacob--The Hollow City
Foxbrush--Shadow Hand
Issac--The Unexpected Bride
Charlie--Boys of Blur
Jace--Resistance
Amos--Orphan's Song
Jovann--Golden Daughter
Failstate--Failstate: Nemesis
Ren--Tiger's Promise
Lionheart--Shadow Hand
Leo--House of Hades
Janner--The Warden and the Wolf King
Kyran--The Word Changers
Jacob--The Hollow City
Foxbrush--Shadow Hand
Issac--The Unexpected Bride
Charlie--Boys of Blur
Jace--Resistance
Amos--Orphan's Song
Jovann--Golden Daughter
Failstate--Failstate: Nemesis
Ren--Tiger's Promise
Lionheart--Shadow Hand
Leo--House of Hades
Janner--The Warden and the Wolf King
Nominations for Best Cover:
Orphan's Song
The Princess Spy
Plenilune
Shadow Hand
One Realm Beyond
Golden Daughter
Storm Siren
Until That Distant Day
Resistance
Anon, Sir Anon
The Warden and the Wolf King
Orphan's Song
The Princess Spy
Plenilune
Shadow Hand
One Realm Beyond
Golden Daughter
Storm Siren
Until That Distant Day
Resistance
Anon, Sir Anon
The Warden and the Wolf King
Now the judges will consider the nominations received, and announce the top three of each category on November 15th. After that we will diligently study these three, and announce the winners in December! So stick around!
Wednesday, October 29, 2014
My Shelfie
I was tagged for a Shelfie by Allison! Which I had never heard of before, but I think it's genius. You take a "selfie" of your books. :) So here is my shelf of the majority of my favorite books. See any you recognize?
| You will definitely have to click on this to see it large. |
Now I tag:
Beka at The Other World
Athelas Hale at Red Lettering
Rebekah at Backing Books
Mrs. Stengl at Books, Cats, and Whimsy
Wednesday, October 15, 2014
The 2014 Blogger Book Awards!!!
Something is coming. Something new. Something fun. Something big.
Best Heroine hosted by Allison Rudivich--Winner announced Sunday, December 21
Best Book--Allison Rudivich--Winner announced Wednesday, December 24
And here is the general idea for the award honoring the winning authors.
Looks like an exciting lead-up to Christmas, doesn't it? Now, my dear bloggers, is when you get to help me! My two categories are:
THE BLOGGER AWARDS!
-In Which 2014 Books Are Nominated by Followers and Judged by the Host Bloggers-
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| Please share this widget with a link back to either this post or a respective post from another host. |
This event was created by Allison Rudivich,and the participating bloggers are Clara Darling, Ghost Ryter, and myself! And who can be involved? Why you, my dear reader! You can nominate books published in 2014 for their categories both for me and the other hosts! Starting now until Nov 1st, you can announce your picks for the respective category in the comments! Then the host of the category will read the top three books the following month and decide the winner in December!
What categories are there?
Best Book Design hosted by Ghost Ryter--Winner announced Thursday, December 18
Best Cover hosted by Hannah Williams--Winner announced Friday, December 19
Best Title hosted by Clara Darling--Winner announced Saturday, December 20
Best Heroine hosted by Allison Rudivich--Winner announced Sunday, December 21
Best Hero hosted by by Hannah Williams--Winner announced Monday, December 22
Best Author hosted by Ghost Ryter--Winner announced Tuesday, December 23
And here is the general idea for the award honoring the winning authors.
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| Blogger Award and Widget Composition by Hannah Williams |
Looks like an exciting lead-up to Christmas, doesn't it? Now, my dear bloggers, is when you get to help me! My two categories are:
Best Cover
Best Hero
So then, which books do you think deserve these honors? Please comment and let me know! And jump over to the other hosts to help determine their reads too!
Allison Rudivich: The Art of Storytelling
Clara Darling: To Find A Castle
Ghost Ryter: Anything, Everything
Thursday, October 9, 2014
Author Interview with Gillian Bronte Adams
Gillian, the more I find out about you, the more astounded I am. Truly,
you are a girl who takes the life by the reins and gallops with it. Not that’s
a reference to your awesome horse riding or anything. ;) Could you tell us a
bit about yourself?
Hmm, let’s see. During the day, I
manage the equine program at a Christian youth camp in the great state of
Texas, but at night, I kick off my boots and spurs, pull out my trusty laptop,
brew a pot of coffee, and transform into a novelist. I have the
adventure-seeking heart of a Ranger, but I dearly love having my own little
hobbit hole to come back to at night. (It’s a tad difficult to write on the
road, and books are hard to fit into saddle bags!) Aside from my book
collection, I tend to stockpile random things like costumes, notepads, countless
pens, and medieval weaponry.
Could you share one of your favorite moments from either your mission
trips to Haiti or at the youth camp equine program?
This is a tough question … only
because I have so many favorite moments! For the past four years, I’ve gone on
a trip with the camp that I work at as part of an ongoing mission to establish
a “sister” youth camp in Haiti. On my first trip, I recall hiking up the hill
behind the campsite with the rest of the team one night and gazing out over the
countryside and realizing that aside from the ones in the sky, the only light
visible that night was a single lamp in the middle of the campsite. It was dark
everywhere else. It struck me as such a clear picture of how God had chosen to
plant one little light—Jacob’s Well—in the midst of an area of such poverty and
spiritual darkness … but the darkness could not overcome it
You have a beautiful way with words, Gillian. What books do you feel
most impressed their style of writing upon you?
It’s terribly difficult to compare
my writing style to anyone else’s, because I feel like they are yet the master
and I am but the student. But I would have to say that I have been most
influenced by Andrew Peterson’s Wingfeather Saga and his ability to take a
simple story and characters and transform them into something beautiful that
grips your heart and won’t let go, Brandon Sanderson’s Stormlight Archive and
his ability to create a world and plot and characters so complex it makes your
head spin, and Maggie Stiefvater’s Scorpio
Races and her ability to create compelling stories and characters, build
unique worlds, and employ descriptions so vivid you can practically see them.
Besides writing, riding, and everything else, you also pull off
incredible costumes! Who—if you had all the costume material in the world
available to you—would you love to dress up as?
Eowyn—without a doubt. I love all
of the dresses she wears in the movies, not to mention her armor, or her sword!
Though if I could access whatever costume materials I needed, I would love to
outfit my horse in full battle gear as would befit one of the various breeds of
war horses in the next project I’m dying to work on!
What would you love to try that you haven’t done yet?
Sailing! Obviously I’ve never been,
so I have no clue if I would be any good at it or would prove myself a hopeless
landlubber, but I would dearly love to try it one day.
Besides Orphan’s Song, you also have a novella, Out of Darkness Rising,
approaching. Do you have any other works in progress that you would like to
share about?
I’m currently working on book two
in the Songkeeper Chronicles! So for all you dear readers who are anxiously
awaiting the next book—never fear, it is coming! Once book two is complete,
I’ll be tied up for a bit with book three, and then … then … well, there’s an epic fantasy series I’m simply dying to
write. I have pages and pages of world-building notes, about a hundred pages of
the first book done, and a thousand ideas swirling around inside my head!
These were such fun questions!
Thanks for having me on your blog, Hannah.
Check out Gillian's Blog: Of Battles, Dragons, and Swords of AdamentFind Orphan's Song on Amazon!
Monday, October 6, 2014
Book Review--Golden Daughter by Anne Elisabeth Stengl
It is clear from the beginning that this tale is unique from all
the other Tales. It takes place in a far different and more ruthless
world than we have met before in the series. Even the time we spend in the Between
is a different place than we have seen. But despite almost an entirely
new cast and setting, this Tale is VITAL to the series. I dare not
reveal all the incredible things revealed here. It is the first night of
Moonblood. It is the first part of Sunan's history (it is hard to
believe that this Sunan is the same Sunan we love later on). And we
learn the history of the Goldstone. And--oh, so much!
Any newcomers into Goldstone Wood might be surprised to find out Golden Daughter is "Christian" fantasy. After all, most of the characters and the very culture dedicates itself to their goddess, the moon. And while some perform their rituals with hypocritical ease, others carry out their dedication with disturbing loyalty. Unlike most Christian fantasy, this doesn't take the point of view of the "Christian" character.
This is the real world. Not to say that is actually exists, but because the foundation of it is true. A corrupt world. Fallen. Deceived. As such, there is false religion, and people devoted and aloof to it. There is an awareness of the more lewd sides of the world that adds a certain maturity that wasn't so present in other Goldstone Novels. It shows us that men trying to connect with the spiritual worlds without God's summoning leads to damaging consequences. But this book takes us by the hand, and guides us through the lies, shows the fragility of the promises of the world, and brings us to a profound and beautiful portrayal of God's character and ultimate power.
And actually, there does turn out to be a parallel here with a familiar Bible story. But perhaps because it is so obvious, we overlook it, because I never recognized it until thinking about the story later.
This is definitely the most violent of the Tales so far. Not really graphic or disturbing, but it still packs some punch. It might be a bit too harsh for the very sensitive reader. The headcount by the end is rather high....and Anne Elisabeth has this way of making you feel each one, even the people you didn't particularly like.
That is another of her gifts. Creating real people, so real you have trouble liking them. Oh, to be sure, there are plenty of characters to love here: Sairu--one of the funnest and most darling (and deadly) female characters I've met in a while, Jovann--who is AWESOME, Eanrin--who...who brings a whole new level to the words "I love him." But then we have characters who we see or know to commit heinous and cold deeds--characters who we might call "bad"--shock us with their depth. They may have few loves and loyalties left, but to those few they cling with a resilience that is truly admirable. We also have plain evil characters who are just totally consumed with evil.
The Dragon reaches a new tier in villainy here. (Somehow it is more chilling when a villain kills an innocent, cute little animal, than say, a random brash knight. Okay, fine, it was the way he killed the animal.)
And then there is Lady Hariawan...she is...nothing. Not to say the reader doesn't see other sides, things she might be...but the decisions she makes, the road she takes...she acts soulless. This aspect of her character is completely intentional and necessary. It is even explained, if you read between the lines and know the laws of Faerie. But really, I think I despise her more than any other character I've met in Goldstone Wood. Gleamdren (in Starflower) was cute and funny in her annoyingly selfish way. Hariawan is chilling, using other people for her own ends with absolutely no true care in her heart. Indeed, Sairu's continuous devotion to her was one of the only things I couldn't understand. I guess being raised to always protect your master is pretty strong. Sairu's loyalty wasn't unrealistic, just not something I could relate to. The same goes for a few other motivations in the story; they weren't flaws, just not something I understood.
Foreboding, strange, and ruthless are the worlds through which this tale weaves. It is difficult to discern what the will of the Song Giver is, what role the characters will play. But to those who are willing to take the journey, they will find a beauty at its peak, a hope of infinite glory. I do not believe I have yet read in a fantasy a more powerful, more beautiful representation of God as is found here in these pages. Indeed, in the midst of reading it, I found my eyes swimming with tears, for the potency of His majesty, love, and grandeur rang true in my own life.
And that is the work of a master storyteller.
Any newcomers into Goldstone Wood might be surprised to find out Golden Daughter is "Christian" fantasy. After all, most of the characters and the very culture dedicates itself to their goddess, the moon. And while some perform their rituals with hypocritical ease, others carry out their dedication with disturbing loyalty. Unlike most Christian fantasy, this doesn't take the point of view of the "Christian" character.
This is the real world. Not to say that is actually exists, but because the foundation of it is true. A corrupt world. Fallen. Deceived. As such, there is false religion, and people devoted and aloof to it. There is an awareness of the more lewd sides of the world that adds a certain maturity that wasn't so present in other Goldstone Novels. It shows us that men trying to connect with the spiritual worlds without God's summoning leads to damaging consequences. But this book takes us by the hand, and guides us through the lies, shows the fragility of the promises of the world, and brings us to a profound and beautiful portrayal of God's character and ultimate power.
And actually, there does turn out to be a parallel here with a familiar Bible story. But perhaps because it is so obvious, we overlook it, because I never recognized it until thinking about the story later.
This is definitely the most violent of the Tales so far. Not really graphic or disturbing, but it still packs some punch. It might be a bit too harsh for the very sensitive reader. The headcount by the end is rather high....and Anne Elisabeth has this way of making you feel each one, even the people you didn't particularly like.
That is another of her gifts. Creating real people, so real you have trouble liking them. Oh, to be sure, there are plenty of characters to love here: Sairu--one of the funnest and most darling (and deadly) female characters I've met in a while, Jovann--who is AWESOME, Eanrin--who...who brings a whole new level to the words "I love him." But then we have characters who we see or know to commit heinous and cold deeds--characters who we might call "bad"--shock us with their depth. They may have few loves and loyalties left, but to those few they cling with a resilience that is truly admirable. We also have plain evil characters who are just totally consumed with evil.
The Dragon reaches a new tier in villainy here. (Somehow it is more chilling when a villain kills an innocent, cute little animal, than say, a random brash knight. Okay, fine, it was the way he killed the animal.)
And then there is Lady Hariawan...she is...nothing. Not to say the reader doesn't see other sides, things she might be...but the decisions she makes, the road she takes...she acts soulless. This aspect of her character is completely intentional and necessary. It is even explained, if you read between the lines and know the laws of Faerie. But really, I think I despise her more than any other character I've met in Goldstone Wood. Gleamdren (in Starflower) was cute and funny in her annoyingly selfish way. Hariawan is chilling, using other people for her own ends with absolutely no true care in her heart. Indeed, Sairu's continuous devotion to her was one of the only things I couldn't understand. I guess being raised to always protect your master is pretty strong. Sairu's loyalty wasn't unrealistic, just not something I could relate to. The same goes for a few other motivations in the story; they weren't flaws, just not something I understood.
Foreboding, strange, and ruthless are the worlds through which this tale weaves. It is difficult to discern what the will of the Song Giver is, what role the characters will play. But to those who are willing to take the journey, they will find a beauty at its peak, a hope of infinite glory. I do not believe I have yet read in a fantasy a more powerful, more beautiful representation of God as is found here in these pages. Indeed, in the midst of reading it, I found my eyes swimming with tears, for the potency of His majesty, love, and grandeur rang true in my own life.
And that is the work of a master storyteller.
Wednesday, October 1, 2014
Book Review--Orphan's Song by Gillian Bronte Adams
Who Will Keep the Song Alive?
Every generation has a Songkeeper - one chosen to keep the memory of the Song alive. And in every generation, there are those who seek to destroy the chosen one.
When Birdie's song draws the attention of a dangerous Khelari soldier, she is kidnapped and thrust into a world of ancient secrets and betrayals. Rescued by her old friend, traveling peddler Amos McElhenny, Birdie flees the clutches of her enemies in pursuit of the truth behind the Song’s power.
Ky is a street-wise thief and a member of the Underground—a group of orphans banded together to survive . . . and to fight the Khelari. Haunted by a tragic raid, Ky joins Birdie and Amos in hopes of a new life beyond the reach of the soldiers. But the enemy is closing in, and when Amos’ shadowed past threatens to undo them all, Birdie is forced to face the destiny that awaits her as the Songkeeper of Leira.
I knew before I opened this up that the story would be good.
After following the author's blog, hearing of her beautiful, busy life, and reading her lovely short stories, I knew that Gillian Bronte Adams would write stories that are special. So I was rather determined to read her first book at once.
I was not disappointed.
First of all--her characters. Her cast is simply delightful. She takes common types--the poor orphan girl, the street scamp, the fun-loving protector with a dark past, and spins them anew. You feel the enchantment of a classic story all over again. Birdie is a doll. Ky is endearing. Amos...well, you're just going to have to read for yourself about Amos. I knew that the lady who wrote such astonishingly insightful (and hilarious) villainy posts would write good villains, and sure enough, I just felt the chilling, powerful, yet human presence of the villain as soon as he stepped onto the page. I was also delighted to encounter the young "evil" soldier who doesn't quite match up to the stereotype of "bad-guy." I hope we will see more of him.
Her writing is sweetly simplistic, elegantly formed. She ties her different plots together with ease, dropping delicious hints here and there. And she surprised me. I should have seen it coming. But she surprised me anyway.
While this is a delightful story, there is also a more serious, mature stamp on it. For the consequences of life and death are clearly portrayed. Not everyone comes out all right in this story, not even innocent children. This is a world with harsh reality.
And a terrible cliff-hanger.
Yes. One of those. Not an evil cliff-hanger, understand. Just one that leaves you ready for the next part of the story, because the first major fault with this book is that it was too short. Or perhaps it is simply because the next book is not here yet. So write quickly, Gillian Bronte Adams. Your audience awaits.
Every generation has a Songkeeper - one chosen to keep the memory of the Song alive. And in every generation, there are those who seek to destroy the chosen one.
When Birdie's song draws the attention of a dangerous Khelari soldier, she is kidnapped and thrust into a world of ancient secrets and betrayals. Rescued by her old friend, traveling peddler Amos McElhenny, Birdie flees the clutches of her enemies in pursuit of the truth behind the Song’s power.
Ky is a street-wise thief and a member of the Underground—a group of orphans banded together to survive . . . and to fight the Khelari. Haunted by a tragic raid, Ky joins Birdie and Amos in hopes of a new life beyond the reach of the soldiers. But the enemy is closing in, and when Amos’ shadowed past threatens to undo them all, Birdie is forced to face the destiny that awaits her as the Songkeeper of Leira.
Through My Window
I knew before I opened this up that the story would be good.
After following the author's blog, hearing of her beautiful, busy life, and reading her lovely short stories, I knew that Gillian Bronte Adams would write stories that are special. So I was rather determined to read her first book at once.
I was not disappointed.
First of all--her characters. Her cast is simply delightful. She takes common types--the poor orphan girl, the street scamp, the fun-loving protector with a dark past, and spins them anew. You feel the enchantment of a classic story all over again. Birdie is a doll. Ky is endearing. Amos...well, you're just going to have to read for yourself about Amos. I knew that the lady who wrote such astonishingly insightful (and hilarious) villainy posts would write good villains, and sure enough, I just felt the chilling, powerful, yet human presence of the villain as soon as he stepped onto the page. I was also delighted to encounter the young "evil" soldier who doesn't quite match up to the stereotype of "bad-guy." I hope we will see more of him.
Her writing is sweetly simplistic, elegantly formed. She ties her different plots together with ease, dropping delicious hints here and there. And she surprised me. I should have seen it coming. But she surprised me anyway.
While this is a delightful story, there is also a more serious, mature stamp on it. For the consequences of life and death are clearly portrayed. Not everyone comes out all right in this story, not even innocent children. This is a world with harsh reality.
And a terrible cliff-hanger.
Yes. One of those. Not an evil cliff-hanger, understand. Just one that leaves you ready for the next part of the story, because the first major fault with this book is that it was too short. Or perhaps it is simply because the next book is not here yet. So write quickly, Gillian Bronte Adams. Your audience awaits.
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